https://www.digitalmusicnews.com/2018/0 ... try-sales/
Warner Music Group (WMG) CEO Steve Cooper revealed that digital revenue – fueled mostly by growing streaming music – now represents 60.1% of WMG’s total revenue. In its Q1 / calendar Q2 2018 report, Sony Music revealed that digital revenue – again, powered mostly by streaming – makes up 63% of its total revenue. Finally, Vivendi, Universal Music Group’s (UMG) parent company, revealed the label generated $1.44 billion in streaming revenue for the first half of 2018.
The Big 3 – Sony Music, WMG, and UMG – now earn billions each year from the explosive rise in streaming music services.
營業額因為線上音樂而大成長啊！
那，創作者分多少？12%，嫌少？看這張分配圖，
平台"成本"佔最高，這可不假，要撐那麼大容量，單是硬碟要多少個，你想想？
唱片公司的的成本與利潤次之，再來是平台的利潤...
這不合理嗎？你可以想想，要營運個平台或唱片公司要多少人？
一曲擺到平台上去讓人線上聽，需要多少人花多少時間去處理？沒那麼簡單哪...
反問，一款音響上市賣，設計者能拿到多少？12%？哪有哪麼好～
經銷商就要拿40%囉～賺太多？且慢，試問你這位消費者，這音響你是自己去店頭買，自己帶回家搞定，之後都不會要求店家免費的服務，無論是親身跑一趟或電話口頭諮詢？
在台灣啊，service真的是殺必死，一毛都拿不到哪...
